Mac Pro (Late 2013, plus mid 2010 and mid 2012 models with recommend Metal-capable GPU) If your Mac is listed above it will run OS X 10.14 with no issues, If you have an older Mac, and you REALLY want to try installing OS X 10.14 there are instructions on the web, but this is not supported by Apple and not recommended by me. Would you like to travel the world? Webcamtaxi takes you there! Webcamtaxi is a platform for live streaming HD webcams from around the globe that will give you the opportunity to travel live online and discover new and distant places.
Completed in 2018 in Vietnam. Images by To Huu Dung. Danang is a famous sea-tourism city in Vietnam. It has not only the beautiful beaches, but also the extremely wonderful Han River and Son Tra. CISS Construction and Remodeling, Lake Park, Minnesota. 47 likes 76 were here. Some pictures of projects. One is called T-Max OS. Developed by T-Max Soft. Starting 2009, this OS was based on Windows (called Window 9). After its lack of success, it managed to come back.
| Cheonggye | |
|---|---|
| Native name | 청계천 |
| Location | |
| Country | South Korea |
| Provinces | Seoul |
| Physical characteristics | |
| Source | Suseongdong Valley in Mount Inwang |
| • location | Ogin, Jongno, Seoul |
| Mouth | Jungnangcheon |
• location | Yongdap, Seongdong, Seoul |
| Length | 10.92 km (6.79 mi)[1] |
| Basin size | 50.96 km2 (19.68 sq mi)[1] |
| Basin features | |
| Tributaries | |
| • left | Seongbukcheon, Jeongneungcheon |
| Cheonggyecheon | |
| Hangul | |
|---|---|
| Hanja | |
| Revised Romanization | Cheonggyecheon |
| McCune–Reischauer | Ch'ŏnggyech'ŏn |
Cheonggyecheon (Hangul: 청계천, Korean pronunciation: [t͡ʃʰʌŋ.gje.t͡ʃʰʌn]) is a 10.9-kilometre-long (6.8 mi), modern public recreation space in downtown Seoul, South Korea. The massive urban renewal project is on the site of a stream that flowed before the rapid post-war economic development caused it to be covered by transportation infrastructure. The $900 million project initially attracted much public criticism but, since opening in 2005, has become popular among residents and tourists. Gunnerman mac os.
Geography[edit]
Cheonggyecheon is an 8.4 km (5.2 mi) stream flowing west to east through downtown Seoul, and then meeting Jungnangcheon, which connects to the Han River and empties into the Yellow Sea. During the presidency of Park Chung-hee, Cheonggyecheon was covered with concrete for roads. In 1968, an elevated highway was built over it.
History[edit]
The stream was named Gaecheon ('open stream') after the first refurbishment project to construct a drainage system during the Joseon Dynasty. The work, which included dredging and bolstering the banks of the stream and building the bridges, was carried out every 2–3 years during this period from the reign of Taejong, the third king of the Joseon Dynasty. King Yeonjo especially undertook the refurbishment work as a national project.[2]
Gacheon was renamed to Cheonggyecheon, its current name, under Japanese rule. During this time, financial difficulties disrupted and prevented the Imperial Japanese forces from covering up the stream despite several attempts to do so.[3][4]
After the Korean War (1950–1953), more people migrated into Seoul to make their living and settled down along the stream in shabby makeshift houses. The accompanying trash, sand, and waste, and deteriorating conditions resulted in an eyesore for the city. The stream was covered up with concrete over 20 years starting in 1958, and a 5.6 km-long (3.5 mi), 16 m-wide (52 ft) elevated highway was completed in 1976. The area became an example of successful industrialization and modernization of South Korea.[3]
Restoration[edit]
In July 2003, then-Seoul mayor, Lee Myung-Bak, initiated a project to remove the elevated highway and restore the stream. It was a major undertaking since the highway had to be removed and years of neglect and development had left the stream nearly dry. 120,000 tons of water were to be pumped in daily from the Han River, its tributaries, and groundwater from subway stations.[5] Blue/purple alive redemption 1 mac os. There were safety problems due to the deteriorated concrete. Still, restoration of Cheonggyecheon was deemed important as it fit in with the movement to re-introduce nature to the city and to promote a more eco-friendly urban design. Other goals of the project were to restore the history and culture of the region, which had been lost for 30 years, and to revitalize Seoul's economy.
Creepin sim - boss fight edition mac os. The Seoul Metropolitan Government established several organizations to oversee the successful restoration of Cheonggyecheon: the Cheonggyecheon Restoration Project Headquarters for the control of the whole project; the Citizen's Committee for Cheonggyecheon Restoration Project for the management of conflict between the Seoul Metropolitan Government and the union of merchants; and the Cheonggyecheon Restoration Research Corps for the establishment and review of the restoration plan.
To address the consequent traffic problem, the Cheonggyecheon Restoration Project Headquarters established traffic flow measures in the downtown section affected by the restoration work and coordinated changes in the downtown traffic system based on the research of the Cheonggyecheon Restoration Research Corps.[3] Sleigh ride mac os.
The restoration of two historic bridges, Gwangtonggyo and Supyogyo, was also a contentious issue, as several interest groups voiced opinions on how to restore historical and cultural sites and remains and whether to replace the bridges or not.[3]
The Cheonggyecheon restoration project had the purpose of preserving the unique identity of the natural environment and the historic resources in the CBD of Seoul, and to reinforce the surrounding business area with information technology, international affairs and digital industries.[3] The plan encouraged the return of the pedestrian-friendly road network connecting the stream with traditional resources: Bukchon, Daehangno, Jungdong, Namchon, and Donhwamungil. This network system, named the CCB (Cheonggyecheon Culture Belt), tried to build the cultural and environmental basis of the city. https://hereyload878.weebly.com/music-tag-editor-mac-download.html.
Achievements[edit]
The stream was opened to the public in September 2005 and was lauded as a major success in urban renewal and beautification. However, there was considerable opposition from the previous mayoral administration of Goh Kun, which feared gentrification of the adjacent areas that housed many shops and small businesses in the machine trades.
Creating an environment with clean water and natural habitats was the most significant achievement of the project. Species of fish, birds, and insects have increased significantly as a result of the stream excavation.[6] The stream helps to cool down the temperature on the nearby areas by 3.6 °C on average versus other parts of Seoul.[7] The number of vehicles entering downtown Seoul has decreased by 2.3%, with an increasing number of users of buses (by 1.4%) and subways (by 4.3%: a daily average of 430,000 people) as a result of the demolition of the two heavily used roads.[8] This has a positive influence by improving the atmospheric environment in the region.
The project attempted to promote the urban economy through amplifying urban infrastructure for a competitive city in the business and industrial area centered on the stream. The urban renewal project was the catalyst of revitalization in downtown Seoul. Cheonggyecheon became a centre for cultural and economic activities.
Cheonggyecheon restoration work brought balance to the areas south and north of the stream. During the modernization era, downtown Seoul was divided into two parts, north–south, based on their features and function. The restoration helped to join these parts to create a new urban structure connecting the cultural and environmental resources in northern and southern areas of the stream (Hwang n.d.), resulting in a balanced and sustainable development of northern and southern areas of the Han River.
The project sped up traffic around the city when the motorway was removed. It has been cited as a real-life example of Braess's paradox.[9]
Cost[edit]
Budgeted at 349 billion won, the final cost of the project was over 386 billion won (approximately US$281 million).[3]
Some Korean environmental organizations have criticized its high costs and lack of ecological and historical authenticity, calling it purely symbolic and not truly beneficial to the city's eco-environment. Instead of using the restoration as an instrument of urban development the environmental organizations have called for a gradual long-term ecological and historical recovery of the entire Cheonggyecheon stream basin and its ecological system.[10]
The cost of managing Cheonggyecheon has been rising every year.[11] From October 2005 to the end of 2016, maintenance and management cost of Cheonggyecheon totalled 85.7 billion won, which averaged out to 7.1 billion won per year.[12]
Photos[edit]
A long park runs on both sides of the stream.
The beginning of the Cheonggye Stream
Cheonggye Stream flowing through Seoul
Cheonggye Stream in winter
The beginning of the Cheonggye Stream at night
The Cheonggye Stream at night
The Cheonggye Stream east of Dongdaemun Market
Live entertainment on Cheonggye Stream near Dongdaemun Market
Cheonggyecheon around Mojeongyo
Unparallel (itch) mac os. Seoul Lantern Festival 2012 in Cheonggyecheon, Seoul
See also[edit]
- Daylighting, the process of revealing rivers which have previously been covered over as part of urban development
Notes[edit]
- ^ ab2013년 한국하천일람 [List of Rivers of South Korea, 2013] (PDF) (in Korean). Han River Flood Control Office, Republic of Korea. 31 December 2012. pp. 108–109. Archived from the original(PDF) on 4 March 2016. Retrieved 8 July 2014.CS1 maint: discouraged parameter (link)
- ^PDF, in Korean[permanent dead link]. Retrieved on 2010-11-21.
- ^ abcdefOfficial website of Cheonggyecheon, Retrieved on 2010-11-21.
- ^'Removing Freeways - Restoring Cities'. Preservation Institute. Retrieved 4 July 2018.CS1 maint: discouraged parameter (link)
- ^* Park, Kil-dong. (2007). Cheonggyecheon Restoration ProjectArchived July 17, 2011, at the Wayback Machine.
- ^Urban waterways: Seoul peels back the pavement and reveals a river - Cheonggyecheon, Livable cities, Seoul | TerraPass: Fight global warming, reduce your carbon footprintArchived August 2, 2009, at the Wayback Machine. TerraPass (2009-07-17). Retrieved on 2010-11-21.
- ^donga.com[English donga]. English.donga.com (2005-08-12). Retrieved on 2010-11-21.
- ^'Cheonggye Plaza Season Market -'.
- ^Easley, D and Kleinberg, J: 'Networks', page 71. Cornell Store Press, 2008
- ^Cho, Myun-Rae. (2010). 'The Politics of Urban Nature Restoration'.
- ^Kang (강), Gyeong-ji (경지) (2011-11-20). 청계천 물길 따라 해마다 80억원 증발. edaily (in Korean). Retrieved 2011-12-03.CS1 maint: discouraged parameter (link)
- ^1년 71억의 세금이 청계천에 들어간다 (in Korean). 미디어오늘. 2017-10-15. Retrieved 2021-01-22.CS1 maint: discouraged parameter (link)
Further reading[edit]
- M.-R. Cho, 'The Politics of Urban Nature Restoration, The Case of Cheonggyecheon Restoration in Seoul, Korea,' International Development Planning Review, Vol. 32, No. 2, 2010.
- J. H. Shin, 'Dream and Hope of Korea, Cheonggyecheon Restoration,' Magazine of Korean Water Resources Association, Vol. 37, No. 1, 2004.
- B. Križnik, 'Urban Regeneration in Global Seoul: New Approaches, Old Divides?' Wiener Beiträge zur Koreaforschung, Vol. 2, No. 1, 2010.
- Shin, Hisup (2005). 'Uncovering Chonggyechon: The Ruins of Modernization and Everyday Life'. Korean Studies. 29 (1): 95–113. doi:10.1353/ks.2006.0009. ISSN1529-1529.
- Temperton, V. M., Higgs, E., Choi, Y. D., Allen, E., Lamb, D., Lee, C.-S., Harris, J., Hobbs, R. J. and Zedler, J. B. (2014), Flexible and Adaptable Restoration: An Example from South Korea. Restoration Ecology, 22: 271–278. doi:10.1111/rec.12095.
External links[edit]
| Wikimedia Commons has media related to Cheonggyecheon. |
- Cheonggyecheon Seoul Metropolitan Facilities Management Coroporation
- Cheonggyecheon Official Seoul City Tourism Website
- Video on YouTube
Isle of dinosaurs 2d mac os. Coordinates: 37°34′12″N127°0′23″E / 37.57000°N 127.00639°E
J Muzacz is an Art of Austin artist! Check out his work!
J is a community leader and has has superior hustle skills and some absolutely killer work across a wide range of mediums and scales. Read his interview to get the scoop!
The project attempted to promote the urban economy through amplifying urban infrastructure for a competitive city in the business and industrial area centered on the stream. The urban renewal project was the catalyst of revitalization in downtown Seoul. Cheonggyecheon became a centre for cultural and economic activities.
Cheonggyecheon restoration work brought balance to the areas south and north of the stream. During the modernization era, downtown Seoul was divided into two parts, north–south, based on their features and function. The restoration helped to join these parts to create a new urban structure connecting the cultural and environmental resources in northern and southern areas of the stream (Hwang n.d.), resulting in a balanced and sustainable development of northern and southern areas of the Han River.
The project sped up traffic around the city when the motorway was removed. It has been cited as a real-life example of Braess's paradox.[9]
Cost[edit]
Budgeted at 349 billion won, the final cost of the project was over 386 billion won (approximately US$281 million).[3]
Some Korean environmental organizations have criticized its high costs and lack of ecological and historical authenticity, calling it purely symbolic and not truly beneficial to the city's eco-environment. Instead of using the restoration as an instrument of urban development the environmental organizations have called for a gradual long-term ecological and historical recovery of the entire Cheonggyecheon stream basin and its ecological system.[10]
The cost of managing Cheonggyecheon has been rising every year.[11] From October 2005 to the end of 2016, maintenance and management cost of Cheonggyecheon totalled 85.7 billion won, which averaged out to 7.1 billion won per year.[12]
Photos[edit]
A long park runs on both sides of the stream.
The beginning of the Cheonggye Stream
Cheonggye Stream flowing through Seoul
Cheonggye Stream in winter
The beginning of the Cheonggye Stream at night
The Cheonggye Stream at night
The Cheonggye Stream east of Dongdaemun Market
Live entertainment on Cheonggye Stream near Dongdaemun Market
Cheonggyecheon around Mojeongyo
Unparallel (itch) mac os. Seoul Lantern Festival 2012 in Cheonggyecheon, Seoul
See also[edit]
- Daylighting, the process of revealing rivers which have previously been covered over as part of urban development
Notes[edit]
- ^ ab2013년 한국하천일람 [List of Rivers of South Korea, 2013] (PDF) (in Korean). Han River Flood Control Office, Republic of Korea. 31 December 2012. pp. 108–109. Archived from the original(PDF) on 4 March 2016. Retrieved 8 July 2014.CS1 maint: discouraged parameter (link)
- ^PDF, in Korean[permanent dead link]. Retrieved on 2010-11-21.
- ^ abcdefOfficial website of Cheonggyecheon, Retrieved on 2010-11-21.
- ^'Removing Freeways - Restoring Cities'. Preservation Institute. Retrieved 4 July 2018.CS1 maint: discouraged parameter (link)
- ^* Park, Kil-dong. (2007). Cheonggyecheon Restoration ProjectArchived July 17, 2011, at the Wayback Machine.
- ^Urban waterways: Seoul peels back the pavement and reveals a river - Cheonggyecheon, Livable cities, Seoul | TerraPass: Fight global warming, reduce your carbon footprintArchived August 2, 2009, at the Wayback Machine. TerraPass (2009-07-17). Retrieved on 2010-11-21.
- ^donga.com[English donga]. English.donga.com (2005-08-12). Retrieved on 2010-11-21.
- ^'Cheonggye Plaza Season Market -'.
- ^Easley, D and Kleinberg, J: 'Networks', page 71. Cornell Store Press, 2008
- ^Cho, Myun-Rae. (2010). 'The Politics of Urban Nature Restoration'.
- ^Kang (강), Gyeong-ji (경지) (2011-11-20). 청계천 물길 따라 해마다 80억원 증발. edaily (in Korean). Retrieved 2011-12-03.CS1 maint: discouraged parameter (link)
- ^1년 71억의 세금이 청계천에 들어간다 (in Korean). 미디어오늘. 2017-10-15. Retrieved 2021-01-22.CS1 maint: discouraged parameter (link)
Further reading[edit]
- M.-R. Cho, 'The Politics of Urban Nature Restoration, The Case of Cheonggyecheon Restoration in Seoul, Korea,' International Development Planning Review, Vol. 32, No. 2, 2010.
- J. H. Shin, 'Dream and Hope of Korea, Cheonggyecheon Restoration,' Magazine of Korean Water Resources Association, Vol. 37, No. 1, 2004.
- B. Križnik, 'Urban Regeneration in Global Seoul: New Approaches, Old Divides?' Wiener Beiträge zur Koreaforschung, Vol. 2, No. 1, 2010.
- Shin, Hisup (2005). 'Uncovering Chonggyechon: The Ruins of Modernization and Everyday Life'. Korean Studies. 29 (1): 95–113. doi:10.1353/ks.2006.0009. ISSN1529-1529.
- Temperton, V. M., Higgs, E., Choi, Y. D., Allen, E., Lamb, D., Lee, C.-S., Harris, J., Hobbs, R. J. and Zedler, J. B. (2014), Flexible and Adaptable Restoration: An Example from South Korea. Restoration Ecology, 22: 271–278. doi:10.1111/rec.12095.
External links[edit]
| Wikimedia Commons has media related to Cheonggyecheon. |
- Cheonggyecheon Seoul Metropolitan Facilities Management Coroporation
- Cheonggyecheon Official Seoul City Tourism Website
- Video on YouTube
Isle of dinosaurs 2d mac os. Coordinates: 37°34′12″N127°0′23″E / 37.57000°N 127.00639°E
J Muzacz is an Art of Austin artist! Check out his work!
J is a community leader and has has superior hustle skills and some absolutely killer work across a wide range of mediums and scales. Read his interview to get the scoop!J Muzacz (GIVE ONE) – Artist and Co-Founder
The Mosaic Workshop @ Something Cool Studios
J Muzacz
AoA – How long have you been in Austin and how did you find your way here?
J – Born and raised in Houston, came to Austin back in 2002 to attend UT, and except for a few years abroad here and there, I fell in love with the city and never left.
AoA – When did you realize that you were an artist?
J – To be honest, there were many years when I wasn't really sure. It was more of a hobby and I always had side hustles to pay the bills. That kept it pure, but it also often compromised the time and energy I had to commit to Art. I knew I was an artist when I sold a painting to a stranger when I was 19. A few years pass. I knew I was an artist when I made a 10 ft tall dinosaur out of trash that found its way into the paper, and then Burning Man. A few years pass. I knew I was an artist when I was painting with Korea's finest at a festival along the Han River Seoul. A few more years pass. I knew I was an artist winning open calls for public art projects. Now, I know I am an Artist because I do it seven days a week and that is increasingly all I know, and I can't imagine a life doing anything else.
AoA – Where do you find inspiration?
J – Nature, culture, subculture. I want to use my Art and labor to amplify causes that resonate with me and I feel passionately about. Could be considered a non-violent and celebratory form of protest, or perhaps just something to brighten someone's day, but I try to keep it happy and light.
AoA – What is your work concerned with?
J – People, legends, nature, inspiration, positivity, progressive ideals. Immersion and research help make my work poignant and important. My styles might jump around, but I try my best to remain unique, authentic, inspired and innovative. I also strive to empower others through initiating collaborations of all kinds with other artist creatives and non-artists as well. Making work in the public, together, can be life-changing and contributes something of lasting value for everyone involved.
AoA – Can you speak to your art training?
J – I had a foundation from taking all the Art classes and Art club in High School. I took some electives in printmaking at UT, I apprenticed with the space spray paint guy down on 6th street circa 2003, and I learned a whole lot from backpacking Europe when I was 21 and from painting with international graffiti artists in Korea, Japan, Taiwan, Australia and New Zealand overseas. Everywhere I went I could find the local writers and artists, and we would have an immediate bond, like a huge worldwide family. We would grab some supplies and go paint, swapping tips and tricks along the way in broken English and bits of other languages. We communicate through color and style.
AoA – What are your preferred medium(s)?
J – Currently: Glass tile mosaic and repurposed ceramic, Previously: spray paint, recycled house paint, glossy acrylics and black broad tip Decocolor oil markers.
AoA – Can you talk a little about your creative processes?
J – Site-specificity is key in my practice, as is community input. My loose overarching inspiration and narratives are that of environmental awareness and stewardship, and elevating icons, living legends and those passed, who align with my passions and interests in creating a better world for all. But yeah I try to design for spaces in particular in a way that will complement the entire experience for people there. I also work in series, so I rarely make single pieces randomly in a bubble, but instead embark on a journey to create a set, triptych, or a dozen paintings or mosaic pieces for an encompassing and cohesive exhibition. I find that in that structure and with these somewhat arbitrary goals, I can grow as an artist from project's beginning to end, and learn a lot about myself, the subjects I am depicting, the community therein, and about any collaborators along the way. One might say my process is crowdsourced and socio-relational.
AoA – Do you have any feelings towards Digital Art versus traditional mediums?
J – It's all good in the hood. I learned Photoshop in 7th grade and it changed my life. Infinite possibility at the click of a mouse. Then again you can never get the same feeling you do spray painting from a mouse and screen either, as hard as VR apps might try. But there is definitely value and something romantic about tactile media, too. That's partly why I fell in love with mosaic making these last few years. More than ever, texture, material, and the undeniable evidence of the human hand is incredibly important to this last dying era of physical artwork. The world is going completely digital, save for some human experiences with old school reality in the public sphere. Artificial Intelligence can already draw and paint much better than me. So I am posturing myself to make work that cannot be duplicated or digitized so as not to become obsolete. Monumental glass and ceramic art that requires dozens of hands to create over time. Though ironically my pixel murals are a form of digital impressionism and are highly dependent on technology to design. Nonetheless the final product must ultimately be rendered and installed by hand.
AoA – Who are some artists that you look to?
J – Guido Van Helten, Vhils, JR, Mad C, Kevin Champeny, Jim Bachor, Stefanie Distefano, Invader, Faith47, Swoon, Case Maclaim, El Mac, Kaws, Odeith, Elian Chali, Daniel Arsham
AoA – If you could own 1 piece from a living artist, who would it be?
J – Daniel Arsham, but it totally wouldn't go with my decor LOL!
Han River Project 2020 Mac Os 11
AoA – Big question. What do you feel the role of art is in the world?
J – Art is so many things. Art is a powerful communicator beyond language. Art is hope. Art is a refuge. Art is therapy, self-expression, meditation. There's no mystery why Art is so important to an industry like advertising. Art gives us a way to record history, how we want to remember it. Art helps us find common ground in order to work together in solidarity for a better future.
I want to make a point of also what I think art's role shouldn't be, and that is purely commercial, or exploitative, or egotistically driven. Personal narrative and branding is fine, but artists should be honest with themselves why they create. For all the power it wields, Art should most definitely be intentional.
Han River Project 2020 Mac Os Download
AoA – What else do you enjoy besides making art?
J – Riding my bike, walking around, swimming, traveling, and Japanese food.
AoA – We almost hate to ask because that's all we hear about these days, but how have you had to adapt as an artist to the current Covid-19 pandemic? Where can we currently find your work?
J – No worries at all. I think it is important we recognize and face the situation head on, as difficult as that may be in order to transform our society and world for the better as we come out of the struggle and move forward. I am doing more small scale work, online IG auctions, and taking commissions for the time being. I also am searching out ways to host social distance workshops to keep sharing the skills that I have learned over the years with the hopes that other people, especially non-artists, can be inspired and equipped with that new knowledge or technique they too can express themselves. And planning a lot for the future. Big things are coming whenever we can all go outside again. Follow me on Instagram and/or Facebook for art auctions and drops, and contact for commissions.
AoA – Any final advice for all the artists reading out there?
J – Art is Work, there's no way around that. So make yourself a routine, figure out what works, cut out what doesn't, create constantly. You have to be productive and prolific in this day and age just to keep up let alone stand out, so dedicate yourself 110%. If you aren't actively making work, study other artists, learn some art history, track the lineage of your personal techniques and styles. Respect those who paved the way before you and stay humble as you begin carving out your own path. And be professional. A lot of people wonder how I get so many jobs, it's because I show up on time and answer emails promptly, applying to open calls and being easy to work with. You can also create your own reality, applying for shows constantly until you land one, and making your resume and portfolio undeniable for the type of artwork you want to make. There are no excuses in the art world, it is what you make it. But it will take time, so don't expect to blow up over night. Realistically you should have a ten-year plan, and a shit ton of patience.
Connect with J Muzacz!
Instagram
